Picturing Islam: Art and Ethics in a Muslim Lifeworld

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By Kenneth M. George
Publisher: Wiley-Blackwell
Number Of Pages: 200
Date: 2010-01-26, ISBN-10 : 1405129573
PDF 9.08 Mb

Picturing Islam: Art and Ethics in a Muslim Lifeworld explores issues of religion, nationalism, ethnicity, and globalization through the life and work of the prominent contemporary Indonesian artist Abdul Djalil Pirous.

· Presents a unique addition to the anthropology of art and religion

· Demonstrates the impact of Islam, ethnicity, nationalism, and globalization on the work and life of an internationally recognized postcolonial artist

· Weaves together visual and narrative materials to tell an engrossing story of a cosmopolitan Muslim artist

· Looks at contemporary Islamic art and the way it has been produced in the world’s largest Muslim nation, Indonesia

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Islamic Art, Literature, and Culture (The Islamic World)

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By Kathleen Kuiper
Publisher: Rosen Education Service
Pages: 234, Date: 2009-12-20
ISBN-10 : 1615300198, Rar'd PDF 5 MB's Full

Introduction 7
The Islamic world contains a rich tradition of extraordinary literature and visual arts that stretches back for centuries. At various times, these arts have influenced— and been influenced by—Western literary and artistic traditions. Yet most Westerners know as little about Islamic literature and visual arts as they do about Islam itself.

Popular works such as The Thousand and One Nights and vague notions of tiled mosques or lavish palaces (frequently derived from Western fiction) are often the extent of Westerners’ knowledge of Islamic arts. Viewing Islamic art through the lens of such works is roughly akin to trying to understand the full scope of Western literature and visual arts through popular romance novels and fairy-tale castles.

The approach is neither realistic nor fair. This unenlightened view was shattered with the tragic events of September 11, 2001, when many Americans replaced their naive notions of the exotic Orient with an
outright rejection of a mostly unknown religion and all its worshippers. This attitude may be further exacerbated by the prejudice some feel toward the arts in general, that art has no connection to daily life and that it serves no useful purpose.

Yet if those notions are accurate, why are the arts so intimately interwoven with human history? The truth is that the creation and appreciation of art is an integral part of what it means to be human. Tens of thousands of years ago—long before writing existed—people painted pictures on cave walls and carved small figures. Before there was writing, there was spoken language, which storytellers used to create an oral tradition that was an essential means of transmitting the fundamental principles of human society and institutions.

The best among them could enthrall audiences with long, complex tales. After the invention of writing, many of these stories and poems were recorded, becoming some of the first works of literature....................................

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Cambridge Illustrated History of the Islamic World

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By Francis Robinson, Ira M. Lapidus
Publisher: Cambridge University Press
Pages: 352, Date: 1996-06-13, ISBN-10 : 0521435102
scanned pdf. in two parts. part one 89 mb. part two 119 mb. 

Description:
Islamic peoples account for one fifth of the world's population and yet there is widespread misunderstanding in the West of what Islam really is. Francis Robinson and his team set out to address this, revealing the complex and sometimes contrary nature of Muslim culture.

As well as taking on the issues uppermost in everyone's minds, such as the role of religious and political fundamentalism, they demonstrate the importance of commerce; literacy and learning; Islamic art; the effects of immigration, exodus, and conquest; and the roots of current crises in the Middle East, Bosnia, and the Gulf. Throughout, emphasis is placed on the interaction between Islam and the West, from the first Latin translations of the Quran to the fatwa on Salman Rushdie.

This elegant book deliberately sets out to dismantle the Western impression of Islam as a monolithic world and replace it with a balanced view, from current issues of fundamentalism to its dynamic culture and art. Francis Robinson is the editor of two outstanding reference works: Atlas of the Islamic World Since 1500 (Cambridge, 1982) and The Cambridge Encyclopedia of India (1989).

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Islamic Monuments in Cairo: The Practical Guide

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By Caroline Williams

Publisher: American University in Cairo Press
Pages: 276, Publication Date: 2004-10-01
ISBN-10 / ASIN: 9774246950
15 MB RAR PDF

Description: Cairo's Islamic monuments are part of an uninterrupted tradition that spans over a thousand years of building activity.
No other Islamic city can equal Cairo's spectacular heritage, nor trace its historical and architectural development with such clarity.

The discovery of this historic core, first visually by nineteenth-century western artists then intellectually by twentieth-century Islamic art specialists, now - at the turn of the millennium - awaits the delight of the general visitor.

This new edition of a popular and handy guide continues to walk the visitor around two hundred of the city's most interesting Islamic monuments. It also keeps pace with recent developments with updated and revised material.

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The Limit Of The Awrah Of The Women To Other Muslim Women

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Author Aboo Waheeda As-salafee
Language: English
Format: PDF | Pages: 30
Size: 1 MB

This is the introduction to our discussion , a small treatise discussing one important subject –it is dedicated to all the Muslim women who have even a speck of jealousy and love for their religion- and similarly to the men who are in control of households –and have some sense of jealousy and shyness regarding their sisters , their wives , and their mothers-.

And this is the topic of : What is the limit of what the woman can display in front of her sisters and the Muslim women ? Before getting into the discussion ; it is important to know the definition of some terms which will be re-appearing in this treatise InshaAllaah...

Mahram : These are relatives whom a person is not allowed to marry . Either due to blood
relationship (like the father , mother , brother, sister..) , or due to marital relations (like the
father and the grand-father in law , or the mother in law), or due to breast feeding (meaning the
person whom breast fed you she becomes your Mom , and the person who breastfed from the
same women , they become your sisters or brothers).

Awrah : This is the parts of the body which are impermissible to be displayed. It is different in
the men and the women , and It has different rulings in regards to different sets of people .
Some of them :

a. The awrah of the Men ; By agreement of the majority of the Scholars , it is what is between
the navel and the knees. In front of men or women. But covering up properly is better.

b. The awrah of Women : It has different rulings in relation to different people :
- The awrah of Women to non-Mahram men (strange men) : There are two famous opinions
from the Scholars :

1. It is all of her body.

2. It is all of her body except the face and the wrists.

The discussion for this is famous through history ; and this is not the place for that InshaAllaah.
It is worth while noting though , that all the scholars agree that it is better and most
recommended for the women to cover all her body.

- The Awrah of the Women to the Mahram : This is part of our discussion in this treatise , so
InshaAllaah it will come to be clear.
The Awrah of The Women to other Muslim Women : This is the main discussion. There are two
famous opinions between the Scholars :

1. It is like the Awrah of the men to men : meaning it was what is between the navel and the
knees.

2. It is not the same as that of the men – it is what she reveals in the normal routine of her
house ; like the head , the feet and the hands. This is what is the closest to the truth.
This is our discussion and it will be clarified with all clarity, InshaAllaah.
Note : As for between the husband and the wife : then there is no limits as to what can be seen.

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British Muslims, Media Guide

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By Ehsan Masood


Publisher: The British Council, the Association of Muslim Social Scientists
Number Of Pages: 76
Publication Date: April 2006
ISBN-10 / ASIN: 0863555691
Rar'd 74 page pdf with cover, added bookmarks and corrected pagination
file size Rar/PDF 1.3 MB / 3 MB
password: R20090829


Acknowledgements
We would like to thank all those people and institutions who have supported the publishing of this book. Individuals whose contribution has been particularly significant are of course the author, Ehsan Masood and those who have helped with research, drafting and editorial advice at the various stages.
These include Fauzia Ahmad, Madeleine Bunting, Fuad Nahdi, Urmee Khan, Seema Khan, Samia Rahman, Shazia Khan, Shiraz Khan, Mohammed Siddique Seddon, Chris Allen, Ginny Marriott and Rachel Stevens.

The Muslim College, the Forum Against Islamophobia and Racism, FED2000 and the International Institute of Islamic Thought have supported the project from the outset; and Dr Zaki Badawi was, until his death, a strong advocate.

The photographs are by Tim Smith (www.timsmithphotos.com) and Jak Kilby (jkilby@ukonline.co.uk) The British Council and its partners are not responsible for the contents of any external website referred to in this publication.
Design by Brahm © Copyright British Council 2006

from the back cover:

"This book describes Britain's Muslim communities, their history, present and future. The British Council, the Association of Muslim Social Scientists and partners are publishing it to strengthen international understanding of the diverse nature of British society, as a resource for journalists and others.

It is published in the belief that a detailed and many-sided understanding of communities within British society gives us all a fuller, more subtle, and more accurate picture of Britain, its faiths and its cultures."

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